Helmed by Bristol sound co-founder the musician-producer, this scabrous if undernourished first film turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it results in a comically executed rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film is in British and Irish cinemas from November 17.